Gang of Youths brings a brand new maturity to The Majestic – Isthmus

With Angel in Realtime, the third studio album from Gang of Youths, the Australian indie band has constructed a sound that balances their signature stadium rock with singer David Le’aupepe’s private meditations on household, identification, and the way we course of grief. A 13-track tribute to Le’aupepe’s late father, Angel in Realtime is Gang of Youths’ most formidable and private album thus far. 

Their upcoming present on the Majestic Theatre on April 21 would be the first time the Aussie group has visited Madison, and the viewers ought to anticipate a high-energy, uplifting rock efficiency, because the band has all the time embraced emotion and Le’aupepe has all the time worn his coronary heart on his sleeve. 

The charismatic frontman typically sings about his private life with sincerity and an endearing vulnerability. It’s a part of why the band shortly grew to become a sensation throughout Australia. 

Formed in Sydney in 2012, Gang of Youths gained traction with “Magnolia,” the third single off their debut album, The Positions. A observe about Le’aupepe’s suicide try after happening a bender, it’s an anthemic, remarkably uplifting observe that encapsulates the band’s sound at its best: intimate however poppy, heavy however optimistic. The band has a knack for making the small moments in life really feel intimate and common on the identical time. 

The quartet — composed of Le’aupepe, bassist Max Dunn, guitarist and keyboardist Jung Kim, drummer Donnie Borzestowski, and violinist and guitarist Tom Hobden — has garnered accolades Down Under. Their sophomore album, Go Farther in Lightness, earned them a No. 1 debut on the Australian Recording Industry Association (ARIA) charts and 4 wins on the 2017 ARIAs, together with greatest rock album and album of the 12 months. That identical 12 months, Gang of Youths relocated to London.

“Recording in London is everything to this [new] album,” bassist Dunn says in a video interview with Isthmus. The band needed to make a tribute to Le’aupepe’s father — who died in 2018 from most cancers — with new instrumentation, however for it to nonetheless really feel like a London album (the sensation comes throughout on observe “Spirit Boy” particularly). Much of the two-year course of was experimental and self-engineered. 

This can be the band’s first album with Tom Hobden, beforehand of Noah and the Whale and a touring musician for Mumford & Sons. Hobden’s shut collaboration with Le’aupepe added an orchestral layering all through the album, enriching songs like opener and standout observe, “You in Everything.” “It feels like we leveled up,” Dunn says of Hobden’s position within the band.

Of all of the sonic influences on the album, Le’aupepe’s Samoan heritage performs probably the most distinguished position. After his father’s passing, Le’aupepe and his spouse made a voyage to Samoa to be taught extra about him and secrets and techniques he’d stored. As a consequence, Indigenous music performs a giant position all through the album. 

The band traveled to Auckland, New Zealand, in 2020 to carry out with Cook Island drummers and the Polynesian Gospel Choir. This is their first document incorporating Island music samples layered into their tracks; many of those samples come from David Fanshawe, a British musician who traveled to the Pacific Islands within the Seventies to protect indigenous music. Layering in indigenous samples and devices felt like a becoming tribute to Le’aupepe’s father. 

“It weighed heavy on me that it was a tribute to him,” Dunn says. “I feel very honored to be telling a Pasifika’s [Pacific Islander peoples] story.”

In the U.S., Gang of Youths are constructing an even bigger fanbase, however it hasn’t occurred in a single day. Dunn remembers performing exhibits throughout the U.S. to nearly nobody, however that’s altering, partially due to Angel in Realtime.

At their upcoming present on the Majestic Dunn hopes to attach with followers and make them really feel the identical approach they felt when making the music.

“This is someone’s Friday night, man. This is sacred,” Dunn says with a smile. “This has to blow their mind.”

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