This yr marks 70 years since Queen Elizabeth ascended to the throne—her platinum jubilee. She has served in her official position alongside 14 British prime ministers, from Winston Churchill to Boris Johnson, and her reign spans 14 U.S. presidents and counting. Her picture circulates as foreign money—precise foreign money and the Andy Warhol selection—and the size of her tenure is now an indelible a part of her legacy. Who these days holds the identical job for seven a long time? That stated, her dominion has indisputably contracted since 1952; simply final yr Barbados threw off its affiliation with the crown, and in March a royal go to from the Duke and Duchess of Cambridge to Jamaica drew requires reparations alongside a reaffirmation of the island’s 60 years of independence. Monarchist sentiment—or sentimentality—in England is sufficiently robust that Elizabeth II received’t be the final Windsor to sit down on the throne. But with Charles within the wings and a grandson and great-grandson in line, she will likely be Great Britain’s final sovereign queen for a very good lengthy whereas—and given the shrinking royal footprint, probably without end.
These themes emerge in our pages this month and also will form our new podcast sequence referred to as Dynasty, a pleasant audio expression of our obsession with highly effective households. The first season takes on the House of Windsor and is cohosted by contributing editor Katie Nicholl and workers author Erin Vanderhoof, who additionally wrote tales for our cowl bundle on the platinum jubilee and all it signifies. Subsequent seasons will sort out different notable and infamous clans and the methods they form our world. In this subject, we interpret the thought of household each actually (see James Reginato’s chronicle of the fortunes and misfortunes of J. Paul Getty’s great-grandchildren) and loosely, as a mind-set in regards to the ties that bind. Tressie McMillan Cottom paints a vivid group portrait of a brand new vanguard of nation singers in Nashville, for instance, and James Pogue forays into the center of darkness—excuse me, Orlando—with a rising group of culturally savvy conservative thinkers whose ideological intentions hint to Peter Thiel. And Michael Idov, one among Hollywood’s few bilingual English-Russian screenwriters, writes eloquently of giving up writing in Russian within the face of Putin’s invasion of Ukraine. “I don’t know how to speak to a country that’s busy destroying its neighbor and itself,” he says, “so I won’t.”
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