NASHVILLE, Tennessee (AP) — Critically acclaimed debut albums by Wu-Tang Clan and Alicia Keys, Ricky Martin’s Latin pop megahit “Livin’ La Vida Loca,” and Queen’s “Bohemian Rhapsody” are among the many recordings being inducted this yr into the National Recording Registry.
The Library of Congress introduced on Wednesday the 25 songs, albums, historic recordings and even a podcast that might be preserved as essential contributions to American tradition and historical past.
Keys’ “Songs In A Minor,” released in 2001, introduced the young New York musician to the world with her unique fusion of jazz, R&B and hip hop and earned her five Grammy awards. With songs like “Fallin’” the album has been certified as seven-times multiplatinum by the Recording Industry Association of America.
The Staten Island collective Wu-Tang Clan, including RZA, Ol’ Dirty Bastard, GZA, Ghostface Killah, Method Man and more, released their highly influential debut “Enter the Wu-Tang (36 Chambers)” in 1993, which combined East Coast hardcore rap centered around kung fu film storylines and samples.
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Other albums that have been included have been Linda Ronstadt’s “Canciones de Mi Padre,” a musical tribute to her Mexican-American roots, Bonnie Raitt’s Grammy-winning “Nick of Time,” A Tribe Called Quest’s “The Low End Theory,” and the Cuban musical ensemble’s self-titled debut “Buena Vista Social Club,” which also inspired a film by the same name.
Other songs now in the registry include Journey’s “Don’t Stop Believin,'” “Walking the Floor Over You” by Ernest Tubb, “Moon River” by Andy Williams and “Reach Out, I’ll Be There,” by The Four Tops.
The Four Tops song was penned by the songwriting trio of Brian and Eddie Holland and Lamont Dozier and became a No. 1 song in 1966 known for its unorthodox arrangement and the urgent, operatic vocals of lead singer Levi Stubbs. The last surviving member of the band, Duke Fakir, said he was honored to have their song included in the registry.
“When we recorded ‘I’ll Be There,’ I have to admit (for the first time), we thought of the song as an experiment for the album,” Fakir said in a statement. “We never believed it would even make it on the album, let alone be a hit for all time in ‘The Library of Congress.’ I wish Levi, Obie (Benson), and Lawrence (Payton) were here with me today so we could celebrate this incredible accolade together. And we owe an incredible debt of gratitude to Holland Dozier Holland, the tailors of great music, who wrote it.”
Other recordings include public radio station WNYC’s broadcasts from Sept. 11, 2001 and Marc Maron’s interview with Robin Williams on his podcast “WTF with Marc Maron.”
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