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These Trippy Photorealistic Bird Paintings Are Inspired By The Work Of Well-known Artists


From a Mark Rothko-style pelican scooping up its prey to a racing pigeon painted with the colours of Gerhard Richter’s landscapes.



“Monet Spoonbill (Platalea nymphéas)”
(Clive Smith)

A world past animal extinction is on view in NYC by means of June 4. Clive Smith’s second solo present at Marc Straus gallery on Manhattan’s Lower East Side seems to be as very like a pure historical past museum because it does an artwork exhibition.

Around the room, fastidiously framed canvases painting birds in vibrant hues with startling photorealism, every accompanied by a high quality metallic plate detailing their scientific Latin title. 

Look a little bit nearer at these owls, pelicans, and pigeons although, and also you may understand they can’t truly be actual. The species displayed throughout Smith’s Speculative Bird Paintings take their names and plumage from late legendary painters throughout artwork historical past—Bridget Riley on one duck, Kenneth Noland on an owl.

“Rothko Pelican (Pelecanus white cloud over purple)”
(Clive Smith)

A pelican impressed by Mark Rothko scooping its prey from the ocean, with outstretched wings, the horizon line, and fish for dinner—all gorgeously aligning with the colorfield painter’s compositional construction. These works are Smith’s revolt towards the legal guidelines of nature. 

Smith initially hails from the U.Okay., however working in trend introduced him to New York. “I soon realized that clothing design wasn’t fulfilling me and I started going to life drawing classes on the weekends,” Smith tells Maxim. “I started painting full time as soon as I financially could.”

“In 2007, I first started painting people in manipulated landscapes,” the artist continues. “I didn’t completely take the human image out of my work until I started painting bird nests on ceramic plates around 2014.”

“Noland Owl (Strix spring call)”
(Clive Smith)

Smith’s newest sequence arose from the story of the Passenger Pigeon. “I came across the Revive and Restore project that is working on the idea of de-extinction,” Smith says.

“They hypothesize the Passenger Pigeon could be the model species to bring back to life through synthetic biology. Using the DNA from Passenger Pigeons in natural history museums, they speculate that one day they will be able to genetically edit this DNA into its closest living species—the Band-Tailed Pigeon—and breed a new generation of Passenger Pigeons.” 

“I started to speculate that if biologists could do that, we could extract the DNA from a famous works of art and gene edit it into a bird species that could have similar feather patterning or body structure,” he continues. “I could breed my own generation of Masterpiece Birds with pigment and oil.” 

“Riley Duck (Anatidae arrest 2)”
(Clive Smith)

Birds are extraordinarily delicate, and are sometimes the primary species to suggest environmental change. When fowl populations plummet or shift, one thing’s up. “They travel great distances which makes them useful for identifying ecosystem health,” Smith provides. “Birds are beautiful, but when you closely study them, they are also strange. You can still see their dinosaur ancestors.”

Sometimes he begins with a fowl in thoughts and different occasions he begins with a murals. Smith cites his Richter Pigeon as a pairing that made explicit sense: “Gerhard Richter’s landscape paintings of the German countryside have a blurry feel to them, like a snapshot from a moving train, so I immediately thought of speed and Racing Pigeons. And because of world history when I thought of trains and the German landscape, I thought of World War II–pigeons were used in both world wars to send messages to the front.” 

Other concepts require extra maneuvering–Smith knew he needed to honor Josef Albers, the inventor of contemporary colour concept, however Albers’s sq. artworks required sure specs. “I explored water birds as they have generally a large body, and the square feathered patterning worked well with a duck’s body,” Smith says. 

Smith hopes viewers construct intimate relationships with every canvas. The Richter Pigeon specifically employs trompe l’oeil so it seems the fowl is stepping straight out of its body, demanding viewers take a more in-depth look. The artist has even framed a sequence of scientific volumes that includes preliminary research for the present’s fantastical innovations, out there for flipping by means of. 

Smith hopes most of all, nevertheless, that this sequence conjures up individuals to look at our energy to have an effect on Earth’s ecosystem on goal. “I don’t think the majority of people know that the apples they eat only exist because a human has grafted that flavored apple onto a root stock, or that through breeding humans created a French Bulldog from a wolf,” he says.

“Although I feel I no longer need to paint the human image in the works, the paintings are still about us.”

“Gaitonde Flameback (Dinopium untitled 1996)”
(Clive Smith)


Tags: artwork Clive Smith Entertainment Manhattan Marc Straus Gallery nature



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